Focal Press's Adobe Production Premium for Final Cut Studio Editors PDF

By Focal Press

ISBN-10: 0240812239

ISBN-13: 9780240812236

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Extra resources for Adobe Production Premium for Final Cut Studio Editors

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12 While most graphics files hold metadata in the file, some media files, such as HDV, use sidecars. xmp file extension. 49 50 Chapter 3 Adobe OnLocation: Preproduction Planning and On-Set Monitoring Lots of Fields to Choose From Because I want this book just chock-full of useful information, I counted the number of metadata fields just in the Dynamic Media category alone. There are 104. Sheesh! There are plenty of places to store information about your clips! Exporting Shot Metadata Changing metadata is just like changing data in a database.

This is a big deal, and you need to pay attention. These audio meters will help. To the right of the audio meters are the video scopes. By default, OnLocation displays the Waveform monitor and Vectorscope. An RGB Parade display and histogram are also available, as I illustrate next. 17). In this same menu, you can switch the Waveform ­monitor to an RGB Parade scope by selecting RGB: Parade. 17 Use this menu to switch between scopes. To match the scope markings with Final Cut, select IRE: Y (0 setup).

White levels for video destined for DVD or broadcast should not exceed 100%; they can go higher for video that will only appear on the Web. • Caucasian skin should be between 45 and 65% on the waveform monitor. • Asian and Hispanic skin should be between 35 and 50%. • Black skin should be between 15 and 35%. • All skin color, regardless of race, should fall somewhere along the flesh tone line in the Vectorscope, illustrated by the pointing cursor in Fig. 18. 18 The Vectorscope measures colors.

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Adobe Production Premium for Final Cut Studio Editors by Focal Press


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