Read e-book online Acting from Shakespeare’s First Folio: Theory, Text and PDF

By Don Weingust

ISBN-10: 0415979153

ISBN-13: 9780415979153

Acting from Shakespeare's First Folio examines a sequence of concepts for interpreting and appearing Shakespeare's performs which are in keeping with the texts of the 1st ‘complete’ quantity of Shakespeare's works: the 1st Folio of 1623.

Do additional syllables in a line recommend the way it may be performed? Can Folio commas exhibit personality? Don Weingust locations this paintings on Folio functionality probability inside present understandings approximately Shakespearean textual content, describing ways that those not easy theories approximately appearing usually align fairly properly with the paintings of the theories' critics.

As a part of this research, Weingust seems on the paintings of Patrick Tucker and his London-based unique Shakespeare corporation, who've sought to find the possibilities in utilizing First Folio texts, performing concepts, and what they think about to be unique Shakespearean functionality methodologies. Weingust argues that their experimental performances on the Globe on Bankside have published superior chances not just for acting Shakespeare, yet for theatrical perform usually.

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Extra resources for Acting from Shakespeare’s First Folio: Theory, Text and Performance

Example text

No one has fully seen this point before. (Hand v–vi, emphasis added) 38 First Folio acting techniques Coghill’s introduction was the first shot in the war of authority that would break out around Flatter’s work. Others, both supporters and detractors, were quick to join the fray. In general, one may find responses to Flatter aligning along an axis between the poles of New Bibliographical scholarship and theatrical practice. Those working more closely to the stage, such as Coghill, had very positive responses to Flatter’s work.

She does claim that Flatter’s central idea, that certain features of the texts can be made to reveal more than has hitherto been suspected of Shakespeare’s intentions as a theatre-man, is a clear and stimulating challenge. . 38 The most strident attacks on Flatter’s work come from the two leading New Bibliographers who chose to review Hand, Charlton Hinman and Fredson Bowers. Each provides useful bibliographic reminders, but each also falls into a trap of his own devising, overstating and mischaracterizing Flatter’s claims.

No one has fully seen this point before. (Hand v–vi, emphasis added) 38 First Folio acting techniques Coghill’s introduction was the first shot in the war of authority that would break out around Flatter’s work. Others, both supporters and detractors, were quick to join the fray. In general, one may find responses to Flatter aligning along an axis between the poles of New Bibliographical scholarship and theatrical practice. Those working more closely to the stage, such as Coghill, had very positive responses to Flatter’s work.

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Acting from Shakespeare’s First Folio: Theory, Text and Performance by Don Weingust


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